PUBLICATIONS

Jean-Max Guieu

Le Théâtre lyrique d'Emile Zola.

 Préface de Henri Mitterand  

(Paris: Editions Fischbacher, 1983).

For more info and to order, contact:

Editions Fischbacher,

 5 rue Barbette, Paris 75006

Fax: +33 144545515

Tel: +33 144545511

fischbacher@noos.fr

Jean-Max Guieu & Alison Hilton (eds.)

 Emile Zola and the Arts.

 (Washington D.C.: Georgetown University Press, 1988).

Actes du Colloque de l'Université de Georgetown (Washington D.C.), tenus en 1986 pour la célébration du centenaire de L'Oeuvre.

Proceedings of the conference organized by the University of Georgetown in 1986 for the centennial of the publication of Emile Zola's L'Oeuvre.

To order, contact:

Georgetown University Press,

Washington DC 20057

Articles en Français de:

Pierre Aubery (SUNY Buffalo/Berkeley): 
“Zola peintre et la littérature.”

 David Baguley (Western Ontario, London):
“L’Oeuvre de Zola: Künstlerroman à thèse.”

 Janice Best (Acadia University):
“Portraits et chronotopes.”

 Antoinette Erhard (Université de Clermont):
“Emile Zola et le Salon de 1880.”

 Jean-Max Guieu (Georgetown University):
“Zola et l’art lyrique: Lazare, livret expérimental.”

 Denis Hollier (University of California, Berkeley):
“L’Homme et l’oeuvre.”

 Anne Lecomte-Hilmy (University of Texas, Austin):
“L’Artiste de tempérament chez Zola et devant le public: essai d’analyse lexicologique et sémiologique.”

 Jean-Pierre Leduc-Adine (Université de Paris-Sorbonne nouvelle):
“Paris et l’ordre spatial dans L’Oeuvre.”

 Henri Mitterand (Université de Paris-Sorbonne nouvelle):
“Inscriptions du temps et de l’espace dans L’Oeuvre.”

 Joy Newton (University of Glasgow):
“Claude Lantier et Stanislas Lépine.”

 Jean-François Thibault (The George Washington University):
“La Peinture en marche: académisme et modernité chez Claude Lantier.”

 Articles in English by:

 Marie-Thérèse Barrett (University of Maryland):
“Le Ventre de Paris, Claude Lantier and Realist Themes of Food and Markets in Seventeenth and Nineteenth Century Paintings.”

 Patrick Brady (Rice University):
“Mutilation, Fragmentation, Creation: Zola’s Ideology of Order.”

 Elizabeth Briggs-Lynch (The George Washington University):
“Manet’s Nana: The Connection with Zola’s L’Assommoir and Nana.”

 John A. Frey (The George Washington University):
“The Artist as Failure – Two Brands of Naturalism: Madame Sourdis and L’Oeuvre.”

 Alison Hilton (Georgetown University):
“Le Messager de l’Europe: Zola’s Art Criticism beyond Paris.”

 William Kloss:
“Zola and the Old Masters.”

 John A. Lambeth (Washington & Lee University):
“Zola Photographer.”

 Philip Walker (University of California, Santa Barbara):
“An Attempt by Zola to Define Artistic Creation: The List of Possible Titles for L’Oeuvre.”

Jean-Max Guieu (ed.)

Intolerance & Indignation. L'Affaire Dreyfus

 (Paris: Editions Fischbacher, 1999).

Actes des Colloques des Universités de Columbia (New York, N.Y.) et de Georgetown (Washington D.C.), tenus en 1998 pour la célébration du centenaire de "J'accuse...!"

Proceedings of the conferences organized by the universities of Columbia and Georgetown in 1998 for the centennial of the publication of Emile Zola's "J'accuse...!"

To order, contact:

Editions Fischbacher,

 5 rue Barbette, Paris 75006

Fax: +33 144545515

Tel: +33 144545511

fischbacher@noos.fr

Articles en Francais de:

Wolfgang Asholt (Osnabrück, Münster): "L'Affaire dans la dramaturgie du XXème siècle"

Pierre Birnbaum (Paris I): "Voyage au centre de la France"

Eric Cahm (Tours): "Zola, la Presse et l'opinion publique, en France et aux Etats-Unis)

Antoine Compagnon (Columbia/Paris IV): "Philosémites et antidreyfusards: les libéraux dans l'Affaire"

Jean-Max Guieu (Georgetown): "La croisade iconographique de l'Affaire et ses dérapages"

Jean-Pierre Leduc-Adine (Paris-Sorbonne nouvelle): "Zola, le Juif"

Silvère Lotringer (Columbia): "Le Salut par les Juifs. De Léon Bloy à Céline"

Jean-Yves Mollier (Versailles-Saint Quentin en Yvelines): "Les Contre-Zola"

Fumitaka Ogino (Gakugei, Tokyo): "L'Affaire Dreyfus et ses traces dans la société japonaise"

Alain Pagès (Reims): "De l'action intellectuelle: une adresse de Zola au peuple américain en janvier 1898"

Madeleine Rebérioux (Paris VIII): "Sur la raison d'Etat"

Alain-Marc Rieu (Lyon III): "la Fin en France du parcte "intellectuel/société"

Zeev Sternhell (Hebrew University of Jerusalem): "Dreyfusisme et antidreyfusisme: l'Affaire, prototype de l'affrontement continu de deux cultures politiques antagonistes, depuis la fin du XIXème siècle jusqu'à Vichy"

Articles in English by:

Lorraine Beitler (Beitler Foundation): "The Dreyfus Affair: A Collector's Perspective"

Sam Bloom (Columbia): "Marcel Proust and the Dreyfus Affair: A Joking Matter?"

Susan Daitch (Columbia): "Writing Fiction on the Affair: Dreyfus without Dreyfus"

Nicholas Dobelbower (Duke): "Petits Bleus et Billets doux: Dangerous Correspondance(s) of teh Dreyfus Affair"

Sander L. Gilman (Chicago): "Dreyfus's Body/Kafka's Angst"

Norman Kleeblatt (New York Jewish Museum): The Body of Alfred Dreyfus: A Site for France's Displaced Anxieties about Masculinity, Homosexuality and Power"

Scott Lerner (Franklin and Marshall): "rallying Around Dreyfus and Léon Daudet: Proust's Affair"

Jeffrey Mehlman (Boston): "Thoughts on Péguy and the Affair"

John W. Padberg S.J. (Institute of Jesuit Sources): The Demonization of the Jesuits"

Bill Press (Crossfire, CNN): "Trial by the Medias: Neither Truth nor Justice"

David Schalk (Vassar): "Between the Fin de siècle and the Belle Epoque"

Willa Z. Silverman (Pennsylvania State): "Fin-de -siècle Amazons: Antidreyfusard Women and teh Affair"

Ori Soltes (B'Nai B'rith National Museum): "Image and Idea: Dreyfus as Outsider"

For more info and to order, contact:

Graphix Communications

P.O Box 90535 San Diego CA 92169 USA

Fax: 858 270-1223

info@graphixc.com

Jean-Max Guieu

  A Comprehensive Digital Bibliography of the Dreyfus Case, its Time and its Legacy - Bibliographie informatisée de l'affaire Dreyfus, son époque et ses répercutions 

(Paris: Société littéraire des Amis d'Emile Zola- Centre d'études sur Zola et le Naturalisme. CD-ROM Graphix Communications, San Diego CA, 2000)

A Fully-Searchable Digital Bibliography (over 5000 entries)

Chronology of the Affair, with illustrations and maps  (English and French text)

Jean-Max Guieu (ed.)

 Paris in the Jazz Age 

(Washington D.C.: Faculty of Languages and Linguistics Publications, Quiason Monograph Series, Georgetown University, 2001).

Articles en Français de:

 Jean-Max Guieu (Georgetown University):
“La Garçonne: inspiration et repoussoir féministe des Années folles.”

 AnnaMaria Laserra (Universita di Roma, Tor Vergata):
“Rossignol et saxophone: A propos de Jazz dans la revue Documents.”

 Articles in English by:

 Jody Blake (Bucknell University):
“Bamboula in the Temple of Auguste Perret.”

 John C. Hirsh (Georgetown University):
“A City Fit for Geniuses: American Writers Construct Paris.”

 Thomas Singer (Georgetown University):
Beginning the Beguine: Some Aspects of the Arrival of Jazz and American Popular Culture in France During the 1920’s.”

 Ori Z. Soltes (Georgetown University):
“Jews, Art and Paris in the Jazz Age.”

 Jean-François Thibault (The George Washington University):
“Les Ballets Suédois, 1919-1924: métissages culturels.”

Ludovic Tournès (Université de Versailles):
"The Jazz Enthusiasts: A Cultural Avant-Garde in Paris.”

 LuLen Walker (National Portrait Gallery):
“Josephine Baker in Le Tumulte Noir, Paul Colin’s Jazz Age Portfolio.”

Jean-Max Guieu (ed.)

 Memories For The 21^st Century

Selected Cultural Experiments in 20^th Century France

(Washington D.C.: Faculty of Languages and Linguistics Publications, Quiason Monograph Series, Georgetown University, 2002).

PART 1.  THE PARIS WORLD'S FAIR OF 1900

 Articles in English by:

 Bonita Billman (Georgetown University):
"Art Nouveau: New Style at Century's Turn"    

 Gina Crocenzi Park (Georgetown University):
"Science as Spectacle: Technology at the 1900 Paris Exhibition"

 Nicholas Dobelbower (Bucknell University):
"The Attraction of Moving Pictures at the Universal Exposition of 1900"           

 Jean-Max Guieu (Georgetown University):
"The Paris World's Fair of 1900. Clueless at the dawn of a century"

 John Lambeth (Washington & Lee University):
"Photography at the 1900 World's Fair in Paris"

 Susanna Lee (Georgetown University):
"«A crazy mushroom-bed of sham Kremlins and pagodas:» Flaubert at the 1900 Exposition"

 H.E. Ambassador Elliott P. Skinner (Columbia University): 
"The 'Civilizing Mission' in the United States of America"          

 Articles en francais de:

 Jean-Max Guieu (Georgetown University):
"L'Affaire Dreyfus et l'Exposition"

 Amadou Koné (Georgetown University):
"Le Discours du Guide de l'Exposition Universelle: Civilisation et Barbarie".

 AnnaMaria Laserra (Università di Roma, "Tor Vergata"):
"Paris 1900: Le Collège d'Esthétique Moderne"

 Jean-François Thibault (George Washington University):
"Baroque et Rococo à l'Exposition Universelle de 1900"

 Aurélia Roman (Georgetown University):
"Choc et Merveille: Paris et l'Exposition Universelle de 1900"

PART 2. OULIPO: MARCEL BÉNABOU ET L'OUVROIR DE LITTÉRATURE POTENTIELLE

 Michèle Sarde (Georgetown University):
Introduction: "Marcel Bénabou, expérimentateur d'avant-garde"

 Marcel Bénabou (Université de Paris-VII):
"L'Oulipo: présentation"                                                          

 Pierre Taminiaux (Georgetown University):
"Entretien avec Marcel Bénabou"                                              

PART 3. DOMINIQUE DESANTI: MÉMOIRES

 Michèle Sarde (Georgetown University):
"Dominique Desanti, témoin privilégié"

 Dominique Desanti:
"Témoignage: ce que le siècle m'a dit"                           

 Joseph Brami (University of Maryland):
"Entretien avec Dominique Desanti"