ERIC DROWN
American Studies Scholar
Assistant Professor of University Writing
The George Washington University
I am a cultural analyst and literary historian
interested in the social functions of popular culture. I study cultural objects
and practices that enjoy a degraded status in our society, especially those
with passionate followers and which prompt moral denunciations from enraged
or anxious authorities—trashy fiction, conspiracy theory, pseudo sciences
like ufology, cryptozoology and parapsychology, and new religious movements.
For me, such quirky expressions can teach us a lot about what people who rarely
make it into history books think about some really important questions.
While I am currently focusing on the popular cultures of science and science
fiction, I am also interested in visual culture, and have written about Hollywood
movies, avant-garde films, the silent cinema, and television fans. You can learn
more about my work by following the links above and below.
Look for my work in recent issues of femspec, Endeavour and Symploke. "Business Girls and Beset Men in Pulp Science Fiction and Science Fiction Fandom" is the lead article in femspec 7.1 (Fall 2006), while "A Finer and Fairer Future: Commodifying Wage Earners in American Pulp Science Fiction" appears in the history of science quarterly Endeavour v. 30, n. 3 (September 2006). For an illustrated pdf version of "A Finer and Fairer Future" search the Academic Search Premier research database available at most research university libraries or visit Endeavour here.
| **NEW** | My latest essay is an analysis of Jim Martin's new novel Clementa. Besides discussing the novel, I reflect on how American science fiction has, paradoxically, been a home for creative and innovative feminist writers since it's very beginning. For more on the novel, visit www.clementanovel.com. |
My "Mental
Labor and the Cultural Work of Agency Panic" appears in Symploke
v. 14, n. 1-2. |
Contact
me science fiction criticism science fiction theory science fiction scholarship popular culture pop culture literary criticism literary history modernism modernity |